MEPs in call for euro-passport for artists
TERESA KÜCHLER
07.04.2008 @ 07:14 CET
The European Parliament's culture committee has received support from the EU's culture commissioner Jan Figel for a proposal to grant working artists in Europe a special social status enabling them to travel and practise their art throughout the union without missing out on social rights.
Under the proposal, artists could also be granted a "Europass", a Europe-wide recognized portfolio for qualifications and competencies, as well as being registered in a European Professional Register to help artists receive specific temporary visas.
"Artists miss out on pension and unemployment rights," says Claire Gibault, French MEP (Photo: EUobserver.com)
French MEP Claire Gibault, in charge of the issue, at an evening debate about the impact of cultural exchanges on Wednesday (2 April), stressed the importance of mobility for artists, saying they can express insights from different cultures to citizens through their work.
The liberal MEP, a top violinist and orchestra director, pointed out that such mobility is often hindered by administrative hurdles, such as how to transfer artists' social rights between countries.
In addition, the very nature of the business with lots of travelling, short term contracts and performances at odd hours and seasons adds to the problem, with artists missing out on pensions or unemployment benefits.
The report, which came out last year, stresses the need to distinguish between mobility specifically relating to artists and that relating to workers in general in the European Union.
Ms Gibault said the proposal had received the nod from commissioner Jan Figel, but would have to be screened properly by justice commissioner Franco Frattini, who holds the migration, border and visa portfolio, before any concrete legislative proposal could be possible.
Ms Gibault also criticized European schools for not teaching artistic education already in pre-school, as well as for the somewhat loose definition of art-class in most schools.
"Why do we have ‘history of the arts', but not 'arts' in our school? Should we then not also have ‘history of gym class', instead of 'gym class'?" she asked.
One way mobility
Mr Figel at the same conference also praised mobility as a condition for cultural exchange and enrichment.
"It was never so easy to travel in the European Union as it is now, especially after the Schengen [borderless zone] enlargement late last year. It means a lot for work and for meeting people," Mr Figel said.
The commissioner however said more needed to be done for mobility, for instance by recognising each other's work qualifications and academic credentials adding that culture should be "human" rather than "elitist."
Young Dutch-Turkish photographer Ahmet Polat told the audience that he had seen the impact of increasing mobility and globalisation on culture in recent years, with more and more art students or cultural institutes travelling within the EU and beyond to study or invest in artistic projects.
He said European cultural institutes in his newly adopted home country Turkey were everywhere, but that that it was a one-way mobility and not a real exchange.
"In Turkey you see a lot of European investment in art, or artists who arrive to study or to practise. But the other way around is rare".
"You have to ask: who is travelling where? Who's expression is shown where? I have a Dutch passport, I can always go back to the Netherlands, but can the Turks go there?"
The debate was part of a series of scheduled meetings within the framework of the "European year of intercultural dialogue". Future debates will treat subjects like education, inter-religious dialogue, work and multilingualism.